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The next major section focuses on Yang's theory of literature and how his Ch'an background led him to view the writing of poetry as an intuitional process which results from sudden enlightenment.Such a theory caused him to reject thoughtless imitation of earlier poets and to advance the idea of natural, unadorned verse.I begin with an extensive account of Yang Wan-li's life, paying particular attention to the influence that his political career had upon his literary works.

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Yang's poetry is compared and contrasted with the work of the two most prominent shih poets of his period, Pan Ch'eng-ta and Lu Yu. A., U n i v e r s i t y of C a l i f o r n i a , B e r k e l e y , 1968 M.He is particularly original in his verse of social criticism and the life of the lower classes.However, the most common subject of Yang's literary creations is nature, a tendency which is consistent with the esthetic interests of both painters and poets of his period.a p o e t i c method which 11 i n c l u d e s such elements as iconoclasm, i l l u s l o n i s t i c and p a r a -d o x i c a l language, s u r p r i s e and sudden enlightenment, humor, and e x t e n s i v e use of c o l l o q u i a l language. A l l of these i n n o v a t i o n s i n the c u l t u r a l f i e l d were supported by an unprecedented economic growth and a s t a r t l i n g advance i n s c i e n c e and technology.A f t e r t h i s g e n e r a l d i s c u s s i o n of Yang's l i t e r a r y theory and p r a c t i c e , I proceed to explore some of the major themes of Yang Wan-li's p o e t r y , f i n d i n g t h a t a c o n s i d e r a b l e body of h i s poetry i s concerned w i t h the Buddhist theme of i l l u s i o n and r e a l i t y . S o c i a l C r i t i c i s m and Peasant L i f e . Yang Wan-li's poetry d i d not develop i n i s o l a t i o n from t h i s new c u l t u r e , and throughout the d i s s e r t a t i o n we have a t -tempted to r e l a t e Yang's h i g h l y o r i g i n a l poetry to the i n -n o v a t i v e s p i r i t of the age i n which he was l i v i n g .However, the most common s u b j e c t of Yang's l i t e r a r y c r e a -t i o n s i s nature, a tendency which i s c o n s i s t e n t w i t h the e s t h e -t i c i n t e r e s t s of both p a i n t e r s and poets of h i s p e r i o d . To study the poetry of such men i n i s o l a t i o n from other areas of Chinese c u l t u r e seems absurd i n the extreme.Yang's nature poetry has g r e a t s i m i l a r i t i e s to the v i s u a l a r t of h i s contemporaries', and the s t r i k i n g i n n o v a t i o n s i n Yang's nature poetry are e a s i l y compared to contemporary changes i n Chinese p a i n t i n g . Not only have we t r e a t e d Yang Wan-li's poetry i n i t s r e -l a t i o n s h i p to other c u l t u r a l phenomena of h i s age, but our gen-e r a l approach to Yang's works has been deeply i n f l u e n c e d by the methods u t i l i z e d by Chinese l i t e r a r y c r i t i c s .His poetry on plants and animals, like the painting of the period, is in harmony with the scientific, analytical tendencies of the culture as a whole.I conclude with a study of Yang Wan-li's position in Chinese literature.It is understood that copying or p u b l i c a t i o n of th i s thes is for f i n a n c i a l gain sha l l not be allowed without my writ ten pe rm i ss i on . Although a reasonable amount of m a t e r i a l has been p u b l i s h e d concerning Chinese l i t e r a t u r e b efore the t e n t h cen-t u r y , post-T'ang l i t e r a t u r e i n the c l a s s i c a l language i s almost a t o t a l blank.Department o f A s i a n S t u d i e s The U n i v e r s i t y o f B r i t i s h Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Date September 9, 1975 A b s t r a c t Yang Wan-li (1127-1206) i s regarded by Chinese l i t e r a r y h i s t o r i a n s and c r i t i c s as one of the t h r e e most o u t s t a n d i n g s h l h poets of the t w e l f t h c e n t u r y . The tremendous body of m a t e r i a l i s no doubt one of the reasons f o r t h i s n e g l e c t , but the g e n e r a l l y a n t i q u a r i a n i n t e r e s t s of many s c h o l a r s of c l a s s i c a l Chinese i s probably the most important f a c t o r .

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